Donna Karan 'The Edit' Spring 2026 Ad Campaign

Review of Donna Karan ‘The Edit‘ Spring 2026 Ad Campaign with Photographer Luigi & Lango with models Adriana Lima, Joan Smalls, Grace Elizabeth

Donna Karan New York’s Spring 2026 campaign, The Edit, feels less like a relaunch and more like a recalibration. Photographed by Luigi & Lango with creative direction by Team Laird, the campaign invites Adriana Lima, Joan Smalls, and Grace Elizabeth to curate their own selections from the collection—an approach that subtly echoes the brand’s foundational philosophy of Seven Easy Pieces. The hook is elegantly simple: when women edit their own wardrobes, the brand becomes less prescriptive and more personal. In an era saturated with styling as spectacle, Donna Karan proposes something quieter—authority through choice.

Visually, the campaign unfolds as a study in controlled intimacy. Adriana’s edit centers on power rendered in understatement: belted trenches, fluid suiting, pale gray monochromes worn close to the body. Her presence is luminous without excess, projecting confidence that feels lived rather than performed. Joan’s selections introduce a sculptural sensuality—bias-cut dresses and sharp tailoring in muted tones of snow petal pink and Umbria clay. The silhouettes emphasize line and proportion, where the slightest gesture carries intention. Grace, meanwhile, leans into ease through ribbed knits, low-slung skirts, and draped separates that nod to Donna Karan Weekend. Her palette is lighter, her posture relaxed; the clothes appear to move with her rather than around her. Styled by Jessica Diehl, the trio’s wardrobes converse rather than compete, presenting a collective portrait of femininity that is multi-generational and assured.

What resonates most is the campaign’s refusal to overcomplicate its message. The casting is strategic: three women whose careers transcend trend cycles, embodying the brand’s promise of endurance. There is a clarity to the execution—clean compositions, restrained color stories, minimal distraction—that aligns seamlessly with Donna Karan’s original ethos. Strength lies in this coherence; the campaign understands that modern luxury is often about refinement rather than reinvention. If there is room for growth, it may lie in pushing the emotional storytelling slightly further—inviting us not only to see how each woman styles her edit, but to glimpse more deeply the personal narratives behind those choices. The framework is compelling; the next evolution could explore even greater intimacy.

Still, The Edit succeeds in reaffirming Donna Karan New York as a brand shaped by women who know themselves. It feels contemporary without chasing novelty, archival without nostalgia. In allowing three distinct voices to interpret its codes, the house demonstrates that modern femininity is not singular—it is curated. And as any seasoned editor knows, what you leave in matters just as much as what you leave out.