Desert Mirage
Review of Casablanca Pre-Fall 2026 Ad Campaign by Creative Directors Charaf Tajer and Steve Grimes and Photographer Per Appelgren with models Georgia Palmer, Eden Walsh, Emilia Ebelin, and Mohamed Hassan
For Pre-Fall 2026, Casablanca stages its most cinematic fantasy yet, transporting the brand’s polished vision of leisurewear into an imagined Egypt suspended somewhere between mythology, travel postcard, and sci-fi dreamscape. Shot by Per Appelgren using virtual production technology, the campaign unfolds across glowing dunes, celestial skies, and surreal desert formations that feel less geographically grounded than emotionally constructed. The result is unmistakably Casablanca: escapism rendered with gloss, precision, and a knowing sense of spectacle.

The campaign’s visual language thrives on contradiction. Ancient references mingle with digitally manipulated horizons, while references to Death on the Nile and The Prince of Egypt fold seamlessly into the brand’s long-standing fascination with retro-futurism and luxury tourism. One moment, models lounge against metallic monoliths beneath lavender skies; the next, falcons perch beside monogrammed luggage under blazing orange suns. The atmosphere oscillates between mirage and movie set, leaning fully into fantasy without ever pretending to authenticity.
That heightened unreality works largely because Casablanca understands its own visual identity so clearly. Charaf Tajer continues to build a world where resortwear, sport, and cosmology collide, and this season’s collection expands that universe with confidence. Hieroglyph-inspired graphics, emerald gradient swimwear, patterned fleece outerwear, and silk separates infused with celestial motifs all reinforce the brand’s ongoing dialogue between heritage craft and contemporary indulgence. Even the reworked monogram — inspired by ornate backgammon inlays and decorative game boards — feels aligned with Casablanca’s taste for aristocratic leisure filtered through pop-cultural exuberance.
The strongest looks emerge when the collection’s graphic richness is balanced by restraint in silhouette. A deep green tennis-inspired mini dress styled with a headscarf and sharp sunglasses captures the campaign’s mood especially well, simultaneously recalling vintage jet-set glamour and futuristic athleticism. Likewise, the monochromatic bodysuits and matching separates set against star-filled skies introduce moments of sleek minimalism that prevent the imagery from collapsing under the weight of its own references.

At times, however, the campaign’s visual density borders on overload. Nearly every frame arrives saturated with cinematic skies, symbolic props, gradients, motion blur, or elaborate styling cues, occasionally making the clothing compete with the environment surrounding it. Casablanca’s maximalism has long been part of its appeal, but here the production sometimes edges close to feeling like a concept reel for a luxury streaming series rather than a focused fashion campaign. The strongest product images are often the quieter ones, where the garments are allowed room to breathe against the surrealism rather than disappear into it.
Still, there is something compelling about Casablanca’s refusal to scale back its ambition. In a luxury landscape increasingly dominated by stripped-down minimalism and cautious branding exercises, Tajer continues to pursue fantasy with genuine conviction. The campaign’s imagined Egypt is not presented as documentary realism, but as a symbolic landscape through which Casablanca can explore mythology, astronomy, travel, and glamour as interconnected forms of escapism.
Ultimately, the Pre-Fall 2026 campaign succeeds less as a literal destination story than as an extension of Casablanca’s ongoing world-building project. Through glowing sunsets, cosmic references, and digitally enhanced dreamscapes, the brand continues to position itself somewhere between sportswear label and cinematic universe — one where luxury exists not in restraint, but in the freedom to imagine something larger than reality.








Creative Director | Charaf Tajer
Casablanca Art Director | Steve Grimes
Photographer | Per Appelgren
Models | Georgia Palmer, Eden Walsh, Emilia Ebelin, and Mohamed Hassan
Stylist | Helena Tejedor
Hair | Soichi Inagaki
Makeup | David Gillers
Casting Director | Heratheagency
Production | Rowe Studio
Set Designer | Danny Hyland